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  1.  16
    Applied Modernism.Paul K. Saint-Amour - 2011 - Theory, Culture and Society 28 (7-8):241-269.
    This article is about a period of technology transfer – the late 1910s and 1920s – when wartime aerial reconnaissance techniques and operations were being adapted to a range of civilian uses, including urban planning, land use analysis, traffic control, tax equalization, and even archaeology. At the center of the discussion is the ‘photomosaic’: a patchwork of overlapping aerial photographs that have been rectified and fit together so as to form a continuous survey of a territory. Initially developed during the (...)
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  2. Bombing and the Symptom: Traumatic Earliness and the Nuclear Uncanny.Paul K. Saint-Amour - 2000 - Diacritics 30 (4):59-82.
    In lieu of an abstract, here is a brief excerpt of the content:Diacritics 30.4 (2000) 59-82 [Access article in PDF] Bombing and the Symptom Traumatic Earliness and the Nuclear Uncanny Paul K. Saint-Amour Many used the Japanese word bukimi, meaning weird, ghastly, or unearthly, to describe Hiroshima's uneasy combination of continued good fortune and expectation of catastrophe. People remembered saying to one another, "Will it be tomorrow or the day after tomorrow?" One man described how, each night he was on (...)
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  3.  13
    Copyright’s Paradox.Paul K. Saint-Amour - 2008 - Symploke 16 (1-2):322-324.
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  4.  13
    On the Partiality of Total War.Paul K. Saint-Amour - 2014 - Critical Inquiry 40 (2):420-449.
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  5.  14
    Darren Hudson Hick. Artistic License: The Philosophical Problems of Copyright and Appropriation. Chicago: University of Chicago Press, 2017. 240 pp. [REVIEW]Paul K. Saint-Amour - 2018 - Critical Inquiry 44 (4):805-806.
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